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Pulse arcade — neon hairlines and corner brackets frame the playfield brief.
the stories are charged with suffering
Adam Ianniello began photographing this wilderness overlooking the concrete sprawl of the city with his large-format camera
Shaun gives a fly-on-the-wall look at the rock 'n' roll lifestyle - warts and all: how to be a rock star - and also how not to be a rock star
consists of a series of still life
Singer machine bound
Brassai Graffiti Johan Willner the stories are charged withFirst edition of Brassai Graffiti (1993). Large format hardback in very good condition. Wear to outer jacket and tears have been repaired with archival tape. Spine is still in tact and sturdy. Text in French. Please see photos for reference. About Brassai had been planning a book of his photographs of Parisian graffiti since the early 1930s, likening the images to documentation of urban cave drawings left behind by an extinct culture. In the
